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Saxanau
Television Journalism
Editorial Journal
Declan Forde, television journalism editor and broadcaster
Television Journalism

Declan
Forde

A news source shaped by two decades inside broadcast newsrooms — where editorial decisions happen fast and the camera never lies.

Declan spent eighteen years as a senior editor at regional and national broadcasters across Ireland and the UK. He covered everything from local council disputes to live parliamentary debates.

In 2016, he started saxanau to write honestly about the craft of television journalism — the decisions behind the lens, the pressures on correspondents, and the structures that shape what audiences see.

18 Years in broadcast
6 Networks covered
340+ Pieces published

Editorial perspective and practice

Focus areas

What the writing covers

Editorial decision-making under deadline pressure How broadcast language shapes public perception Source verification in live television environments The economics of regional news production
Working method

Craft over commentary

Every piece starts from a specific moment — a broadcast that went wrong, a script that worked unexpectedly well, a format that outlived its usefulness. The analysis follows the evidence, not a predetermined angle.

Television broadcast studio environment with monitoring equipment
Inside the edit suite
Journalist reviewing footage at a production desk
Background

Where this comes from

Declan held senior editing roles at two national Irish broadcasters and contributed to documentary units in the UK. He trained as a print journalist before moving entirely into television in 2003.

  • RTÉ
  • Virgin Media News
  • BBC NI
  • Channel 4 docs
Collaboration

Working with others

Saxanau occasionally features conversations with working journalists, producers, and media researchers. Declan is available for editorial consultancy and speaking engagements through [email protected].

Rónán Ó Briain, documentary producer and collaborator
Rónán Ó Briain Documentary producer
Declan writes about television journalism the way a carpenter talks about joinery — with attention to the joints that hold everything together, not just the finished surface.
His analysis of how broadcast framing affects political coverage is the most grounded writing I have found on the subject. It reads like field notes, not theory.
Tomás Ferenczi, media researcher and regular contributor
Tomás Ferenczi Media researcher
News broadcast production in progress
Camera operator at work during a live television segment